“S.O.P. – SOME.OTHER.PLACE” tries to identify the forms of the relationship between performer, space and imagination, leading the viewer on a journey into the density of matter and a perceptive and imaginative elsewhere. The dancing body inhabits an empty space that becomes intimate and changeable, continuously adapting along a powerful, labyrinthine movement. The dancer’s gaze opens to the image and reverberates in Spartaco Cortesi’s live music score. The choreographic device leads to a body surprised by the movement, distant but present in an inconsistent but visionary space. Sara Sguotti offers a look that seeks a hyper-reality, involving and leading the passengers/spectators in an empathic process between reminiscence and foresight. In the choreographic writing, lightness, disorientation, vitality and carnality emerge, a fragile and athletic body acting in search of coordinates, aiming at escaping one’s spirit, through a private, feminine language and narration that involves the viewer.