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1998
/ 2001
Horizon and memory
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Trent'anni
di ricerca in trenta
manifesti
Tortoioli
/ Turci
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Between the millenniums
theatre lives a period rich in the most different languages, result
of aesthetic and philosophical researches.
In this context Santarcangelo becomes the focal point where works and
thoughts weave together and spread.
The present course is directed by Silvio Castiglioni, perhaps the most
organic figure and that that best complies with the Festival and its
history.
Castiglioni is an actor and was a founder of that Teatro di Ventura
also Merisi belonged to;
we mentioned him close to De Bernardinis in the years immediately before
his designation and still now we can see him giving birth to a project
that does not fear crossing genres and themes, mixing up forms and contents,
recognizing fathers and welcoming parricides because “It needs
to be blaspheme to practice the cult of tradition”.
In its thirtieth anniversary Santarcangelo dei Teatri is “L’orizzonte
e la memoria” (Horizon and Memory), and, with Brecht,”Tamburi
nella notte” (Drums in the Night), a “paths web” drawn
with sensibility and poetry.
It is up to Castiglioni and the co-director he wanted with him, Massimo
Marino, to face a period marked with a big lack in means to support
arts.
Finding balances for the present and the future of a Festival which
has always been in close relation with its time invites directors to
tie new bounds with the audience, widening those contacts’ networks
which make this event an annual occasion for meetings and comparisons
among international operators and artists.
In this context grew the Festival newspaper, directed by Gianni Manzella
and coordinated by Marino, which publishes observations and evidences,
enlivening constantly the debate since last De Bernardinis’ direction.
Castiglioni’s
artistic geographies go from Leo De Bernardinis to Giuliano Scabia, from
Hideo Kanze to Sotigui Kouyatè, from Rézo Gabriadzé
to Massimo Schuster, from Franco Scaldati to Mimmo Cuticchio, Claudio
Morganti and Alfonso Santagata, to come to Pippo Delbono Company and Marcido
Marcidoris, Tam Teatromusica, Raffaella Giordano and Teatro delle Briciole.
The view includes also I Magazzini and “the columns of Romagna”,
research’s diamond points and integrant part of Santarcangelo Festival:
Socìetas Raffaello Sanzio, Teatro Valdoca and Teatro delle Albe
together with new strong artistic figures of today such as Motus, Fanny
& Alexander and the Emilian Teatrino Clandestino and L’Impasto.
Even bigger is the amount of rising groups among which we would mention
Spiro Scimone, Libera mente, Babbaluck, Agar, Teatro del Lemming, Accademia
degli artefatti, Domenico Castaldo.
Born as “square theatre”, in these years the Festival has
assigned the main stage to ethnic concerts.
Being a laboratory, it does not leave out seminars, meetings and its relations
with publishers.
In every edition the Festival of the town without a theatre reinvents
new stages, nurturing imagination with structures and beaches, natural
amphitheatres and industrial sheds, caves and deserted holiday camps.
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