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1989
/ 1993
Il Independent theatre
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Manifesto
1991
Succi
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“Luoghi d’intesa”
(agreement places) is the name of the first edition under Antonio Attisani’s
direction, re-elected eight years after his past and unlucky edition.
The direction of an intellectual and a theorist after years when the
Festival was shaped by a director’s sensibility with a strong
practical mark allows some detachment and the view to widen.
Peculiarity of this phase is the impulse to extend the idea of theatre
of research to different contemporary languages, even to go over the
border of theatre, to make Santarcangelo a crossroads or, exactly, a
“Luogo d’intesa”.
The independent theatre Attisani refers to in his preliminary remarks
excludes bonds linked both to market and political belongings.
Critic heterogeneity rather than poetic uniformity, solidarity rather
than a joint and collective dimension. This is a turning point accompanied
by big controversy the director answer with titles containing a strong
idea of a renewed Festival through a revision of its origin: through
the names of the five editions they will talk about “Lavori in
corso” (works ahead), “Lavoro d’arte comune”
(common work of art), “Teatro per bande e predatori solitari”
(theatre for bands and lone predators), “Voci umane sempre presenti”
(human voices continuously present), “Santarcangelo dei Teatri
d’Europa” (Europe’s Santarcangelo dei Teatri).
Attisani’s fellow travellers are Daniele Brolli, Giorgio Sebastiano
Brizio, Walter Valeri first and Umberto Artioli then, Stefano Casi,
Alberto Melucci, Mario Perniola, Valentina Valentini, Paolo Zenoni.
Attisani’s course opens with a big edition which joins a mature
Carlo Cecchi, up against with Hamlet again and Kazuo Ohno, Giovanni Testori
and Franco Branciaroli, a Diamanda Galas, Danio Manfredini to Laibach.
Comic theatre with Daniele Luttazzi and Archivolto (whose members were
Maurizio Crozza and Marcello Cesena), theatre for young, dance and performing
arts.
To go on this line, in the following years we find also Théatre
du Radeau and Tibetan monks, Remondi&Caporossi and César Brie,
rap concerts by 1990s Italian Posse and Leo Bassi, Valére Novarina
and Mutoid Waste Company’s parades, contaminations of Shake Decoder
and Teatro delle Albe, Andrea Adriatico with Riflessi and Claudio Misculin’s
Velemir Teatro, Tam Teatromusica, Kismet, Monica Francia, Walter Malosti
with Teatro Dioniso, Alfieri Mago Povero, Giardini Pensili, Marcello Sambati,
Franco Scaldati.
During the 1993 winter edition there will be a dedication to Sarajevo,
then tormented by the ethnic conflict. |