about us
history
fellow boarders
supporters
contact
mailing list
links

italiano
     

 


1989 / 1993
Il Independent theatre

Manifesto 1991
Succi

 

“Luoghi d’intesa” (agreement places) is the name of the first edition under Antonio Attisani’s direction, re-elected eight years after his past and unlucky edition.
The direction of an intellectual and a theorist after years when the Festival was shaped by a director’s sensibility with a strong practical mark allows some detachment and the view to widen.
Peculiarity of this phase is the impulse to extend the idea of theatre of research to different contemporary languages, even to go over the border of theatre, to make Santarcangelo a crossroads or, exactly, a “Luogo d’intesa”.
The independent theatre Attisani refers to in his preliminary remarks excludes bonds linked both to market and political belongings.
Critic heterogeneity rather than poetic uniformity, solidarity rather than a joint and collective dimension. This is a turning point accompanied by big controversy the director answer with titles containing a strong idea of a renewed Festival through a revision of its origin: through the names of the five editions they will talk about “Lavori in corso” (works ahead), “Lavoro d’arte comune” (common work of art), “Teatro per bande e predatori solitari” (theatre for bands and lone predators), “Voci umane sempre presenti” (human voices continuously present), “Santarcangelo dei Teatri d’Europa” (Europe’s Santarcangelo dei Teatri).
Attisani’s fellow travellers are Daniele Brolli, Giorgio Sebastiano Brizio, Walter Valeri first and Umberto Artioli then, Stefano Casi, Alberto Melucci, Mario Perniola, Valentina Valentini, Paolo Zenoni.


Remondi e Caporossi
1991

(click to enlarge)

Tam Teatro Musica
1990

(click to enlarge)

Daniele Luttazzi
1989

(click to enlarge)

Attisani’s course opens with a big edition which joins a mature Carlo Cecchi, up against with Hamlet again and Kazuo Ohno, Giovanni Testori and Franco Branciaroli, a Diamanda Galas, Danio Manfredini to Laibach.
Comic theatre with Daniele Luttazzi and Archivolto (whose members were Maurizio Crozza and Marcello Cesena), theatre for young, dance and performing arts.
To go on this line, in the following years we find also Théatre du Radeau and Tibetan monks, Remondi&Caporossi and César Brie, rap concerts by 1990s Italian Posse and Leo Bassi, Valére Novarina and Mutoid Waste Company’s parades, contaminations of Shake Decoder and Teatro delle Albe, Andrea Adriatico with Riflessi and Claudio Misculin’s Velemir Teatro, Tam Teatromusica, Kismet, Monica Francia, Walter Malosti with Teatro Dioniso, Alfieri Mago Povero, Giardini Pensili, Marcello Sambati, Franco Scaldati.
During the 1993 winter edition there will be a dedication to Sarajevo, then tormented by the ethnic conflict.